Showing posts with label saharawis. Show all posts
Showing posts with label saharawis. Show all posts

Friday, 29 June 2012

Into the Deep, by Nick Jubber


It felt like the world was dying. After the lush green hills of North Morocco and the palmeraie of the south, now I was surrounded by nothing except for vast dunes of powdery dust.
The desert of Laayoune, Nick Jubber
  I had boarded an overnight bus at Inezgane, one of Morocco’s chief transport hubs. Sitting around me were a group of teenage boys who were all returning from a camping trip. It had been organised by the Justice and Development Party – currently the largest party in the Moroccan parliament.
  ‘Oh yes, we are all Saharawis,’ one of them, Ibrahim, told me. No, he admitted, his parents hadn’t actually been born there, ‘but there is a lot of work to be done because Western Sahara is in need of development.’ One of his friends, Mehdi, was more forthright. ‘You need to understand something,’ he said. ‘Maybe you will meet people and they will say they are the only true Saharawis. But they want us to do all the work for them. My father and his father,’ he continued, wagging a finger at Ibrahim, ‘they are the people who are making this land something more.’ This issue – the settlers and their children versus the indigenous Saharawis – has become one of the core issues in Western Sahara, especially in regard to the proposed UN referendum to decide the fate of the region.
Camels in Laayoune, Nick Jubber
  Blinking into the glare, as the sun floated over the roof of the bus, we looked across the rocky desert towards Laayoune. We passed a wind turbine, a dairy farm and a cement works. Farmsteads built from the abundant local stone skulked beside acacia groves. Most noticeable of all, though, was the checkpoint: a small pink kiosk where a soldier in grey sat behind his ledger and a tea tray buzzing with flies. Black and white mug-shots of ‘miscreants’ (many of them simply Saharawi activists against the occupation) were tacked to the wall above him. He asked me why I was visiting Laayoune and suggested I move on to Dakhla.
  ‘You can windsurf there,’ he explained.
  Red flags with green five point stars – trumpeting Moroccan sovereignty – fought against the breeze and an archway hooped over us, patterned with seashells in the spandrels. Beyond the Oued Sakiya, military trucks loaded with artillery and Sûreté Nationale vans trundled around us, soldiers in olive-green uniforms picking their way between the early-morning strawberry cart pushers and women in brightly coloured milfhas or men in loose blue dira’a robes. I found myself a room in a downtown hotel above a café frequented by football enthusiasts. I was itching to explore – and to find out for myself what’s really going on in Laayoune.

Monday, 4 June 2012

Photography

This is a taster for the amazing photography you'll be seeing at Sahara Nights.


Women raising tents, Ed Harriman
Ed Harriman graduated from Amherst College in Mass., USA. He has dedicated his life to producing political and investigative documentaries and is a regular contributor to the London Book Review. Has worked closely with John Pilger on a number of films and just recently finished a film investigating massive scale US corruption linked with “rebuilding” Iraq.


View of Smara camp, Bernat Millet

Bernat Millet is a Spanish London-based photographer and visual media artist who recently won the Taylor Wessing Photographic Portrait Prize (2011), having one of his pictures on Saharawi landmine victims exhibited at the National Portrait Gallery (London). His project Saharawis aims to expose the consequences of state violence by Moroccan forces as well as the ineffectual efforts of the UN and international community to resolve the situation. 



Starry night, Andrew McConnell
Andrew McConnnell is an award-winning Irish photographer who began his career as a press photographer covering the closing stages of the conflict in his homeland before transitioning to more in-depth social documentary work around the world. His images have appeared internationally in publications such as National Geographic Magazine, Newsweek, Time magazine, The New York Times, The Guardian, FT Magazine, Vanity Fair, the Sunday Times Magazine, Der Spiegel, L’espresso, and Internazionale. His collection The Last Colony is an innovative and highly personal portrayal of the Saharawi people.

More info:
Andrew McConnell: www.andrewmcconnell.com